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There are several interesting themes running through the book - the impact of climate change, hunting, geese in the creative imagination, conservation - but the diary format prevents these from being developed.
In the UK he has worked on a huge range of projects for Norfolk Wildlife Trust, The Wildlife Trusts, Pensthorpe and others. He then explains how during COVID he decided to follow Norfolk’s geese on his bike over the 2020-2021 winter. The resulting diary of his trips and observations is what we read.Lots of us birders have talked about our move towards staying local or travelling by land or not twitching.” Twitching – rushing to photograph whatever rare bird flits into Britain – seems to be a dirty word. “No it isn’t,” says Acheson, “because I respect that for some people that’s a way of appreciating nature. For me, I’d rather have a relationship with a place and the things that live in it.” The world is a jigsaw of understanding,” says Acheson. “You need the first pieces put there for you to start seeing a pattern, and he gave us those pieces. What lives in this landscape? What noise does it make? Where does it come from? He peopled the landscape with what belongs there in an osmotic way. It was so gentle.” Acheson grew up here, in a village called Little Snoring. As a boy, he was obsessed with wild animals and inspired to love geese by a teacher, Dave Horsley, who led his school’s bird club.
Red Sixty Seven. He has an essay in Low Carbon Birding published by Pelagic, which was chosen as British Birds Best Bird Book of the Year 2022.Ten years later he came home from this three-month stint, having worked in nature conservation and sustainable development the length and breadth of Bolivia, across South America, and in Australia and India.