Joined in 2023 
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63 About this deal
Out of the box, everything was well. Sound was pretty good. I was impressed. I briefly determined that everything worked properly. As there seemed to be no issues, I was eager to move on from this ad hoc solution. In terms of sound signature there isn't a huge difference between the two, but it's noticeable (especially on more downtempo kind of music). Issue #1 (Bluetooth): at some point I got some weird noises when using bluetooth, but I don't plan on using BT much in the feature, so I didn't spent much time on it. My Presonus also have BT and I think at some point my phone was connected to both, so it might have been some interference between the two. This only happened once out of two times I used bluetooth. The max output level of the optical output connector is –18 dBm and and the max impedance Wave length: 660 nm.
Other than that I think having a DAC and optical input is great (obviously at this price its a cheap DAC) - though I couldn't hear anything obviously bad. I had a few devices plugged in (and Volumio Mini PC via DAC) and Airport Express (via Optical) and a Turntable via RCA and it was great to be able to switch with the provided remote control.
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Line (RCA) In I tested this briefly with the Electronic Keyboard on my desk. Sound is good, but quite different than through the Revox system (cabling are different), more like a Bosendorfer to Revox's Steinway. Shall test it more usefully with my CDP in Part II or III (which can also test the Coaxial and Optical Digital Inputs with Red Book CD 16/44.1). Aiyima T9 Design At the heart of the T9 is the AC6926C Bluetooth chip, which besides BT conversion performs all control functions (volume, tone controls, selector and relay). Digital Inputs go through the MS8412. The 6K4 tube is basically a buffer (the Aux Out does go through it). Amplification functions are carried out by first the NE5532 and, of course TPA3221 chips. DAC A6 uses ESS SABRE ES9038Q2M as decoding. It's widely recognized in the high-fidelity audio industry, providing extraordinary music quality and lower total harmonic distortion (THD) levels, and are the gold standard of audio performance. Comparisons with Similar Gears If I were in NYC, I'd have even more fun comparing the T9 to both my FX TUBE-01 ( here) and SMSL Amp ( here). And I'd have more tubes to play with. But, based on what I hear here, I am more than confident the Aiyima is at least comparable (if not better). I actually think the Aiyima is sweeter than both, especially the Preamp Out compared to the FX (even with better tubes). A: If you use a power supply other than the original standard, please replace the power supply before testing. Many power sources on the market have large interference coefficient of the text wave, which will cause a large current sound.
I worry about CD's going away. I am having a hard time noticing huge quality differences between the CD's and Vinyl. Connected to the T9 Pro (in standby) it goes to 1.7W, which is OK (but still not the greatest for current days). Strong output power and low frequency output: use amp IC TPA3250, each channel can output 100W(4Ω), match perfectly and easily to drive all 3-8Ω passive speakers, adds a low frequency output easy to connect active speakers and build 2.1 channel system, the bass effects is greatly enhanced. The Gain Structure Most devices don't give out spec's on the sound output, or at least I have no idea what they are on my 2 laptops. Add to this that the Apps have their own Volumes (and EQ), and it's kind of complicated. You should always experiment with the Device Volume, App Volume and the Volume Control(s) of your equipment. This is why in Round 2 I'd not entirely attribute what I heard to the difference between the Revox and Aiyima. There are too many Gain Controls that one should be cautious. This is akin to some older preamps or integrated amps that have separate Gain and Volume Controls (ARC and MFA come to mind), and many experienced audiophile swear by using both. I assure you, for any final volume, the sonic difference between 1) maxing out the source and attenuating the amp; and 2) maxing out the amp and attenuating the source; is HUGE and beyond pale! Sonic advantages can be had by paying attention to these parameters. In Part I, I am not doing that.
The reason for this is: without the antenna, the BT will have a poor reception distance, likely 3 ft at most. This will cut off other connected devices. By holding your device close you can achieve re-connection. Issue #3 (gets HOT!): Another thing that surprised me was how HOT the T9 Pro became after a while (I guess those 11W need to go somewhere). The tubes are the first thing to warm up (but I guess that's expected from a tube), but the whole case gets pretty hot after a couple of hours turned on. I wouldn't say it's burning hot, but it's hot enough to feel a bit uncomfortable if you hold your fingers on top of it or on the sides for a few seconds. Since then I have concentrated on my Blog. It is nice to be able to archive everything well and not let things get covered by waves of garbage. Writing articles take lot more than than posting in forums. Many have long periods of gestation and repeated revisions and editing. I hope you enjoy them. BTW, I have Aiyima A07 pro running with Elac Debut 6 Floorstands, haven't had any issues with it which made me think for another Aiyima product. A Completely Different Business ModelWhy is the same product sold under many different names? Mr Liu’s friend’s factory OEM’s for a lot of people. Perhaps, and I’m not sure, some of them have small design changes, but...More importantly, from what I understand, these brands, Aiyima, Suca, Douk, Nobosound etc, compete as well as cooperate. Some would re-brand something without hesitation (same factory) and use their own sales base. This is pretty unthinkable in the West. Grant you, the products are similar (a testament to the very high level achieved with cheap digitals now) and, if you ask me, there is not much room for breakthrough.
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